the new fur (here just finished putting it on the collar) is a camel that tends more towards reddish than in the movie, and the color of the coat obtained after the disasters, perhaps it would be perfect if it had the iridescence which by now, obviously it hasn't anymore, and shows signs of suffering and some loss of shape, but it is more casual and I will wear it every now and then, however, as it is not acceptable for me not to have this coat laminated and with a fresh look, I can clearly admit that, except that wsl does not if he comes up with a laminate that fully convinces me, the next round for me will most likely be SR, on which I could limit myself to my sewing interventions on which I'm playing it quite safe and this distressed fur, I'm waiting for some details that I asked for via email and which probably won't be provided to me, so I will evaluate but I don't think I have many doubts anymore.
In any case, I think I can say that both fur and the color of the fabric are now much closer, as movie stills I placed alongside: originally, even with a good result given by a distressing that I did on the fur, it had a certain similarity but I prefer it like this, obviously knowing how much I would have compromised the coating, I would have limited myself to changing the fur, but now the ********, as said, is done on this one.
At the moment wsl hasn't responded to me yet and maybe they won't either who knows: I had asked for info on a possible duck in their color but correctly covered with a satin effect, and not waxed (they would be the only ones, but perhaps it's utopian), as well as reminding them the question of applying the piping effect, because even if it is my method that can recall the effect that I could do secondly on my own, but unless someone here contradicts me (at least explaining which method could be better), it seems clear to me that it must be done when making the coat, or you are forced to redo the double stitching where you want to apply it, opening them (at least the inner seamline) and redoing them from scratch by inserting the appropriate foam fabric between the two layers, and for a coat that has just been bought new without being that effect already put by the seller, frankly, I see it as an unthinkable job to take on, because obviously unless you have the availability of cheap and fast tailors, it's a **** job and quite radical to do afterwards, which certainly costs a lot and a lot of time.
At most I'll try with an alternative method of mine (one that doesn't cause damage, but doesn't give guarantees about the result you want, but worst of all you can go back without causing any damage) but I wouldn't risk the original stitching, not even by giving a new sr to a capable tailor here in the area, because now I'm a bit bored of take risks, and from my experience you don't take certain things for granted with nobody.
However, it is clear that a hobbyist like me is able to understand and make do with the issue I underlined of how the fur should be attached.
These guys from wsl, given the availability and the price offered, I would say that they are competing to be among the nicest subjects of this scene, but I really don't understand how anyone wants to make a coat with the fur stuck underneath as I saw in the last pics put here, if you start making decent replicas and want to make people believe you've at least seen the film.
But I want to be confident, I hope to see their new buyers soon post pics here that disprove my doubts, and that they respond positively to what I asked them, until SR runs its next discounts, I will remain listening to any news, if anybody could actually change my mind (and I would like to do so).