Y oh Y is the Y-Wing
So Beautiful?
There's more to this question than a romantic love of an old movie, a growing sense of nostalgia as we grow older, or an individual model builder's subjective perceptions on the subject.
No, as I will demonstrate here, the Y-Wing is OBJECTIVELY beautiful, because it follows one of the most classical forms of mathematical beauty known to all history's and cultures: proper proportionality.
Proper proportionality is actually why some guys like "Botticellis" while other guys prefer "Twiggies" -- that's the subjective side of beauty being in the eye of the beholder. But in BOTH cases, skinny or fat, what the eye craves is proper proportionality, and proper ratios, among the pieces that make up the whole. In other words, the subjectivity (fat or skinny) of beauty is actually an objectively measurable fact when looked at from the mathematical aspect of proportionality.
One of the most classical proportionality ratios is the golden number, or phi, or the golden proportion, or what's called The Fibonacci Ratio. It occurs all through nature, all through your own body, and all through the layers of the universe from the microcosm (DNA double helixes) to the macrocosmos (spiral galaxy structures). Heck, it's such a big deal, that the sequence of numbers its based on (The Fibonacci Sequence)
it's even got its own Wikipedia page... and there are
TED talks (and hundreds of other videos) demonstrating how often and how elegantly the Fibonacci numbers show up in nature, design, art, architecture, and etc. To my knowledge, as of yet, there is no one who has pointed out what must be very obvious to you all...
And this is my claim: The Y-Wing is so Beautiful precisely because it reveals Fibonacci ratios among its parts-to-the whole proportions in a surprising number of ways. The 1:1.618 ratio shows up:
1. In the width of the vessel from outer engine to inner hull's proportions
2. In the overall width of the vessel from outer engine to outer engine, demarcating the location of where the inner hull should begin
3. In the overall length of the vessel, demarcating where the head's proportionality in relation to the fuselage body length should be
4. In the placement of the rear thrusters in relation to the overall engine length
5. In the overall length of the engines, from the tip of the L'eggs pantyhose container to the rear of the rear vector thrusters, demarcating where the end of the modified LEM shroud should be.
Consider these pictures, using a
Fibonacci gauge manufactured for orthodontists, and accurate to .25mm. This gauge, overlaid on the overhead shots of the ILM Gold 2, and the Fine Molds model based on the ILM original, show these remarkable ratios. Thus, the ILM Y-Wing is
beautiful because she is so Fibonacci...
What this means for you, studio scale model builder, is quite simple: build it in any scale you want, any way you want, with any nernies you want, in any combination you want, in any size you want. By having the proper proportionality, you can build yours "fat" or "skinny" or "long" or "short" till your heart's content. But your eye won't be satisfied unless it conforms to the elegance of the Fibonacci ratio built into the originals, and these pictures should help guide you away from obsessing about lengths and widths and thicknesses of anything, so long as what you really care about is the relationship of the parts to the whole. What matters is NOT whether the ILM original had a wing thickness of 5.7mm or 7.1mm or any such thing -- what matters is whether your individual choice is then followed through with a proper proportionality throughout.
And if you don't have your own Fibonacci gauge, I suggest you buy one or make one, or else simply follow the pictures knowing the following formula: the gauge measures A:B:C such that the Shorter length (A) is to the Longer Section Length (B) in the same proportion as the Longer Length (B) is to the Overall length (C). This is mathematically arranged as the 3:5:8 ratio, which when boiled down, reduces to a 1:1.618 ratio, so whatever number your working with, you can know it's the "right length" if it's proportional to the next section, so on Picture Three, for example, you'd know if the Fuselage Head to Fuselage Body Ratio was correct if the Fuselage Head was equal to 1 and the Fuselage Body was equal to 1.618
If you want a really good quick-and-easy education on the subject, get the book
The Golden Section by Scott Olson and get
a set of Fibonacci calipers or else make your own (for a LOT less money) by following this
furniture maker's guide from Fine Woodworking.
I hope this helps you bring your Y-Wing projects to beautiful fruition. It's certainly been a help to me.
One final note: Did ILM consciously use this as their guide in building the Y-Wings? Of course not, they just followed the standard guide of "It looks right." But the argument is that the Fibonacci ratio is so hardwired into our species brains that "what looks right" to the eye is, more often than not, something that conforms unconsciously to this very specific ratio.